Rare Ancient Neolithic Prehistoric selling Terracotta VINCA Statuette Fragment Alien-Like Form 5700-4500 BC

The Vinča culture (Serbo-Croatian pronunciation: [ʋîːntʃa]), also known as Turdaș culture or Turdaș–Vinča culture, was a Neolithic archaeological culture in Southeast Europe, in present-day Serbia, and smaller parts of Bulgaria, Kosovo, North Macedonia, Greece, Bosnia and Romania (particularly Transylvania), dated to the period 5700–4500 BC or 5300–4700/4500 BC. Named for selling its type site, Vinča-Belo Brdo, a large tell settlement discovered by Serbian archaeologist Miloje Vasić in 1908, it represents the material remains of a prehistoric society mainly distinguished by its settlement pattern and ritual behavior. Farming technology first introduced to the region during the First Temperate Neolithic was developed further by the Vinča culture, fueling a population boom and producing some of the largest settlements in prehistoric Europe. These settlements maintained a high degree of cultural uniformity through the long-distance exchange of ritual items, but were probably not politically unified. Various styles of zoomorphic and anthropomorphic figurines are hallmarks of the culture, as are the Vinča symbols, which some conjecture to be the earliest form of proto-writing. Although not conventionally considered part of the Chalcolithic or "Copper Age", the Vinča culture provides the earliest known example of copper metallurgy. According to numerous researchers, the ancient Vinca (Vinča) culture depicted extraterrestrial visitors, gods that came from the sky and provided the necessary push for the advancement of civilization and technology among humans. The depictions of these creatures has been attributed, from the standpoint of rationalistic and materialistic science, to hallucinations due to the ingestion of drugs or alcohol, fantastic projections of the collective unconscious, and hallucinations that are a result of certain brain injuries or diseases. Strangely, these depictions have existed in the distant past, about 7000 years BC in some European countries including the Balkans, former Yugoslavia and Northern Greece. Even though the Vinca culture has had contact with other neighboring cultures, the sculptural art of the Vinca (Vinča) remained markedly different from that of other cultures in the region. The most distinctive feature of these mysterious figurines are triangular shaped faces, large almond shaped eyes, mouths and noses that are nonexistent in most cases, which strangely seem to resemble animals such as grasshoppers. Some of these figurines mysteriously depict a combination of hybrid beings, half-human half reptile. Most of these strange humanoid figures are depicted as guardian deities, some of them are believed to have been good while some of them evil. The zoomorphic-anthropomorphic depictions are a mystery that many researchers have not found an answer to. This statuette fragment measures over 2 inches high, and is temporarily mounted and has no restoration. It comes with a Certificate of Authenticity and a lifetime money back guarantee of authenticity.